Download PDF Avengers Masterworks Vol. 1 (Avengers (1963-1996)) By Stan Lee,Jack Kirby
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Ebook About Collecting Avengers (1963) #1-10. Gathering together to face the evil Loki, Iron Man, the Incredible Hulk, Ant-Man, the Wasp, and the Mighty Thor formed the improbable core of the ever-changing super-team. And from the ice of the northern Atlantic, Captain America returned from the frozen depths that the Avengers truly took form. Illustrated by Jack Kirby and Don Heck, and written by Stan "The Man" Lee, you'll find the first appearances of Kang the Conqueror, Wonder Man, the Space Phantom and Baron Zemo, the debut of the Masters of Evil and the Hulk's departure from the team, and subsequent battle with the Sub-Mariner vs. the Avengers.Book Avengers Masterworks Vol. 1 (Avengers (1963-1996)) Review :
This is where the second Marvel team -- and the first ever conceived from pre-existing characters -- begins, and it's a real microcosm of what was going on at Marvel, and in comics in general, at the time. But most of all, it's great, great fun, and full of color and action and fairly sings the earliest notes of the character-driven comic books that Marvel would soon come to define. The art reproduction is beautiful, the binding firm and solid, so anyone worried about getting their money's worth can check off those two boxes, all without fear. As to the content . . . this is where a new layer of popular mythology was being created and tested and fine-tuned, as ideas were tried and modified, discarded and renewed. The initial team-up of the Avengers, which still has a lot of vestiges of comics aimed at little kids (at one point the Hulk disguises himself as a giant robot in a carnival . . . .) promises a little more than it actually delivers, at least by modern standards (Stan Lee and company would later learn how to spin out anything that Loki was doing to two or three issues); and some of the notions behind the characters may seem quaint by modern standards (the idea that Tony Stark's Iron Man, more-or-less a newly minted super-hero himself -- still in the heavy gold armor -- would almost casually ponder the idea of "testing" himself against the Hulk speaks of a time when the Hulk's real power was not yet established). But it did deliver enough at the time, and still does in terms of where we now know things went, to get people to buy issue number two.But by the second issue, the battle with the Space Phantom (a threat right out of Rod Serling's Twilight Zone), the Hulk's own original book had been cancelled (contrary to Lee's official and oft-quoted story of the character's success, the original Hulk needed a LOT of fine-tuning and modification before he found a lasting place in the comic-book buying public's consciousness; his original book, in which they tried, after a nice sci-fi beginning, to shoehorn him unsuccessfully into a somewhat traditional super-hero role, complete with hidden laboratory, only lasted six issues), and there were changes being devised for the character and his nature that would preclude his being a regular member of any super-team for years to come; and so, a convincing story was needed to explain his departure from the newly-formed Avengers, and issue 2 was it. The alien invader provided the means for alienating the Hulk and continuing the transformation of his character, which would go on across another year or more of stories, in the Avengers and elsewhere.Additionally, the nature of the Space Phantom's power, to become a duplicate of any human (and send that human, for the duration of the transformation, into a limbo dimension), essentially created a string of "evil twin" replicas for the duration of the battle (and, almost anticipating the structure of chillers such as John Carpenter's The Thing, the victims and targets have no idea for much of the battle as to who or what is attacking them, or from where), the story allowed all of the personality traits that drive the various members of the Avengers to be put on display, and with amplification, to boot, as even those members who get along with each other clash in demeanor and priorities. (Issue 2 also marked the team-member debut of Giant Man [heralded on the cover], the first of many transformations that Henry Pym would under-go, often -- after this -- in connection with his work with the Avengers).And after issue 2, things really got going -- before this volume is done, we see Iron Man in his new red-and-gold armor, the renewed war between the Sub-Mariner and the surface world (with a more savage Hulk as an ally), the creation/introduction of Wonder Man (who would loom large for many years after), the introduction of Kang the Conqueror and the Masters of Evil, and a lot of the elements that would drive the Avengers' stories across their first 30 or so issues -- and MOST important of all, the rebirth/resurrection of Captain America. All in rich, deep color, with writing that became more mature with each passing issue, as Marvel's writers quickly came to realize their readers now included not just pre-teens and young teens, but high school students and even a growing coterie of college kids, who could and would absorb ever-more-complex character developments, motivations, and narratives.It's a really wonderful blast-from-the-past watching it all unfold again in these pages, about the best way we'll ever see these stories told. This volume collects the first 10 issues of the Avengers, first published in 1963 and 1964. My guess is that the Avengers was meant as Marvel's answer to DC's Justice League of America (JLA). In the beginning, the team consisted of Thor, Iron-Man, Ant-Man and the Wasp, and the Hulk. Right away, you can see a contrast with DC's JLA, which included both Superman and Batman -- DC's most popular characters. Spider-Man and the Fantastic Four were clearly the most popular of Marvel's early Silver Age comics, but they were not included in the Avengers. Even worse, two of the members were having trouble in their own books. In the early days, Marvel didn't quite know what to do with the Hulk, canceling his book after just six issues. He doesn't do much better here, essentially leaving the group after the second issue, although he sort of hangs around through issue five. Similarly, Ant-Man wasn't working out in his starring role in Tales to Astonish. He was converted into Giant-Man by the second issue of Avengers.The problems with the Hulk and Ant-Man were offset, though, by the addition of Captain America in issue four, his first Silver Age appearance. Captain America clearly adds greatly to the interest of the stories he appears in. Overall, these comics are representative of early Silver Age Marvel. While not as good as the early issues of Spider-Man and Fantastic Four, I would rank them above the early Thor issues of Journey into Mystery or the early Iron-Man issues of Tales of Suspense. I've also been reading collections of two early DC Silver Age heores: Adam Strange and the Viking Prince. One advantage that Marvel had over DC was the willingness to have longer stories -- 22 to 25 pages -- as opposed to the 8 to 10 pages stories in many contemporaneous DC comics. The longer stories make it possible to provide more depth and plausibility.The ten issues included here are reprinted in color. The volume is also rather inexpensive. So, if you like 1960's comics, particularly Marvel, you won't be disappointed in this collection. 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